Is There Anything We Can Do For Now?

NOTE ON

Is there anything we can do for now?
News about the Apocalypse 2012

Friederike Hamann, Christina Kral, Malte Urbschat

19.5. – 10.6.2012
Opening Friday, 18. May, 7 pm

The third exhibition of the series News about the Apocalypse 2012 revolves around the question: what can be done in the face of inevitable events causing grave consequences for humankind? Three invited artists Friederike Hamann, Christina Kral and Malte Urbschat take the approaching end of the world as a fictitious starting point and take position on the question at hand.

Malte Urbschat explores the boundaries of art and science through his sculptures, mobiles, drawings and installations. For Is there anything we can do for now? Urbschat will install two handmade flags on the facade of Kollowitzstr.12. These flags are part of his series 8 Fahnen and deal with the use of resources and technologies in our everyday life- specifically the growing privatization of water and the unknown longterm consequences of extensive global mobil communication networks. His work Tropfenfahne (drop flag) is accompanied by a sign with the question Who sells us our water? and the second flag displays a mobile phone with an antenna similar to a human tumor or a mutation, reminding us of speculations about the effects of mobile phone radiation. Urbschat’s public installation reacts to the posed question with two specific examples and renders the apocalypse as a sum of many pre-apocalyptic incidents that we are collectively holding responsibility for.

Friederike Hamann is interested in abstract representations of heterogenous mental models and ideas in the form of specific constellations. Her installation for Is there anything we can do for now? reconnects with her Archiv Scenes, a series of previous installations at NOTE ON experimenting with the perception of archives. In her new work she reduces the archive to its basic structures and forms of information and architecture and combines it with the idea of a collective potential in a definite yet open group of people. For her installation at NOTE ON she works with colored sheets of paper that she rearranges and documents in long and meticulous stop motion film sequences. The resulting 16mm and digital animations consist of infinite variations, each representing a singular spatial structure of light, color and transparency. Selected stills of these studies are projected like single images of landscapes, opening the room’s architectural reality while layering different levels of possibilities combined with yet another intervention: much like a movie’s credit roll the names of all people who are connected to the participating artists and NOTE ON are projected onto a wall. Despite anonymity and multitude the possibilities for action and relationship seem to multiply and Hamann points to our -often vast and extensive- circle of friends and allies as the likeliest potential for a solution to the question What do you think we can do for now?

Christina Kral delves into the subjective attitude towards an unknown, impending event and searches for potential of abstraction in everyday life. She perceives the act of waiting for something as a productive moment of transition and stages a waiting room that visitors can enter alone or in pairs for 7 minutes each. What will they do with their time? For Kral waiting- much like other everyday situations and routines- implies a potential transitory value of experience. A formalized, but abstracted waiting room set is placed into a constructed room. The feeling of time and space is distorted, instead of art that is ready to consume, there will be different suggestions how to use the remaining time actively. Furniture, plants, objects and photos offer suggestions and inspirations to pass the remaining time actively in passivity. The waiting room is at the center of her multimedia installation Suggestions for the Meantime-An Archive of Possibilities.

The archive for the exhibition is presented by Christina Kral and is the continuation of Suggestions for the Meantime-An Archive of Possibilities. She displays objects and recorded activities of her family-mostly the ones by her grandfather Karl Kral from Delitzsch. Due to its repetition, observation and documentation, his paper scrolls of notes on the weather and diaries of counted steps suggest activities that become objects of peculiar confrontation of yesterday, today and tomorrow. The detached view on everyday life and its routines turns into an agent highlighting and celebrating idiosyncracies, changes and differences.

News about the Apocalypse
With News about the Apocalypse we anticipate and celebrate the predicted end of the world on December 21st as both an actual collapse and a new beginning. From January to December, various models and systems will be tested together with complices and visitors. Currently disputed, they might be of use in the future. We investigate the borderlands of art and science, search for extraordinary methods of archiving and implement historical and marginalized knowledge. The expansion into the public sphere, an interdisciplinary dissolution of boundaries and the question of how we want to act and archive in a new world define NOTE ON in 2012.

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19. Mai – 10. Juni 2012
May 3 – June 10, 2012

Öffnungszeiten: Fr.-Sa. 15-19 Uhr
Opening hours: Fr.-Sa. 3-7 p.m.

NOTE ON
Kollwitzstraße 10, 10405 Berlin

(@ Senefelderplatz)

Picture: Malte Urbschat, Tropfenfahne, from the series 8 Fahnen, 2003, flag and textile, 100x140cm, detail.

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Skill Share Series

Image by Lamia Michna

Institute of Design, Berlin
Teach to learn and learn to teach. I asked my students to each share their skills and design a workshop through which they could exchange their expertise. It is to reveal and nurture individual talents and develop a trusting and dynamic team. For better collaboration and better design solutions.

Design Thinking?

Workshops:
Tape Art Workshop in Kreuzberg
Autogenes Training in Mitte
Graffiti Workshop in undisclosed location
Action Painting in Marzahn
Frantic Dancing in Friedrichshain
Intuitive Typography in Tiergarten

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Modus Operandi


This way to the online documentation of my cross media design course >> http://crossmedialab.tumblr.com/ where artistic processes, critical design strategies and experimental pedagogy intermix and dissolve.

Next course adventure starts coming Monday.

 

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YKON Game @ Brut

Dramatize this!

Brut hosted five international productions from Finland, Sweden, Russia, and Estonia under the title Baltic Games as part of an international exchange program. The Finnish Baltic Circle Festival is focussed on the performance and experimental theatre scene of countries neighboring the Baltic Sea and is considered one of the most important locations for new discoveries from the Baltic region. The festival has succeeded in building a cultural bridge between Eastern and Western Europe.

Brut invited YKON to come to Vienna and transform the game for a theatre context. So we did.









For more in- and outside impressions click here.

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Psychoeconomy


Psychoeconomy is a platform for discussion and artistic research that proposes an alternative approach on various global issues, taking advantage of the particularities for reflection and diffusion generated by the field of art. Among other things, it impulses the gathering of Corporate Summits, annual meetings of forums held by artists’ created entities (for example, banks, technology companies, and even micro nations).

Psychoeconomy proposes the revision of citizen participation on a global scale in the resolution of conflicts in which citizenship as a hole is largely excluded from decision-making but certainly suffers the consequences.”


Psychoeconomy is an initiative by Gustavo Romano (Time Notes Bank).
For the second Psychoeconomy Summit / Seville Declaration 2011 he invited Paolo Cirio (Basic Credit Network), Alessandro Ludovico (Face To Facebook), Olivier Schulbaum (Goteo), Daniel García Andújar (Technologies To The People) and me as Ambassador of YKON to collaboratively work on a new declaration.

The document will be out and available very soon.

Bright December greetings from Seville.
You’ll find some more impressions on Flickr.

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Other Europes

In October 2011 I presented at the panel Arts and Politics of Urban Resistance during Imagine! Other Europes.

I was asked to focus on strategies for changing spatial realities, reclaiming the city and generating possibilities for personal involvement. I put together a free and open-ended list of thoughts around these urban concerns.

I talked about latest FabAgit activities in Berlin and at the end of the presentation I asked the audience to Tell me something good., tell me how To walk better. and to give me a map of a tour they would like to give or get. Above is the outcome of this impromptu brainstorm.

Imagine! Other Europes took place at Ballhaus Naunaynstrasse, Berlin.
It is produced by the post-graduate course of the institute of European Ethnology.

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YKON @ DMY

DMY International Design Festival Berlin, June 2011
The YKON Game was presented at this year’s DMY International Design Festival in Berlin as part of the DMY MakerLab.



The DMY MakerLab serves as a public experimentation space, providing access to new technologies, and enabling the communication and exchange of new concepts. Inaugurated during the 2010 DMY design festival, MakerLab was the first large maker platform in Germany and was enthusiastically received by the press, public and professionals. Entirely dedicated to open source, collective and co-working concepts, the lab produced a monument of physical accomplishments, but above all expanded minds towards a new understanding of cooperative and creative processes. The lab united inventors, designers and visitors in a workshop area, fitted with some of the finest technologies and materials available, side by side with low-tech instruments and applications.



The YKON Game was adjusted to the dynamics of the Festival and its audience. The visitors could take part in several modules of the Game, creating interactive sessions each of about five minutes, giving the chance to understand the Game, and its playing style. The full version of the YKON game was played on the third day of DMY Festival in a separate, reserved play space.

The YKON Game was selected by the jury as one of the ten finalists for DMY Design Award 2011 and later exhibited at the Bauhaus Archive, Berlin.

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Efforts to prevent diabetes…

In fall 2011 Jeroen Lakerveld commissioned me to design his dissertation.
I visualized his year-long intense research in public health, cognitive behavior & primary diabetes prevention. This man is on to something very acute and relevant. Stay tuned, eat healthy & move accordingly!


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STAR STAR STAR STARO RIGA

Riga 2014 Light Think Tank, Riga October 2011

Scouting Riga for spatial tension

The Riga 2014 Light Think Tank was a cause driven interdisciplinary think tank researching urban architectural tensions in Riga and working on experimental solutions using light related technologies. The main frame of the think tank was the light festival STARO RIGA and the foundation of Riga 2014. The think tank will run every year before the STARO RIGA light festival where the ideas will be executed.

I led a workshop to generate ideas for what can be done with architecture under tension. I employed process based tools to uncover the observational and creative potential of the participants. This part served as an introduction and to reveal each participants’ approach to and focus on architecture and urban gestures. In the second part I engaged my workshop group in the development of unconventional ideas to transform the spatial reality of Riga by means of light, architectural interventions and concepts for activating abandoned spaces.

I just found out that some of the ideas generated will be realized during this year’s festival and also considered for Riga 2014.

Building under construction. Riga is covered in a green veil


Riga’s activate local night market


Night meeting: selecting the most urgent cases to work on during the forthcoming workshop


Observational drift during the warm up session of the workshop


Workshop participants were asked to walk around a small territory and write down everything for 10 minutes that would capture their attention


A consultancy session during the workshop


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8th Mercosul Biennial, Brazil, September 2011


The 8th Mercosul Biennial, was dedicated to the topic of Geopoetics: territoriality, and its critical redefinition from an artistic perspective. It brought together 105 artists from 31 countries, with works regarding the notions of country, nation and identity.

In addition, the Biennial emphasized cross-disciplinary education and the mission to connect art with everyday reality and people without a specific relation to arts. The Biennial opened September 10 and will run until November 15th 2011. Within the framework of the 8th Mercosul Biennial, YKON was commissioned to present two projects: the YKON Game, and a new work called The Flag Piece. I traveled together with Ulu, Pekko and Oliver to Brazil and further developed and produced the two commissions on site.

Flag Piece
For The Flag Piece, 204 Flags – of the 204 countries recognised by the UN – were cut apart into their single colour elements and symbols such as stars, moons, eagles etc. In collaboration with a local seamstress association, these elements were re-united into a giant transnational flag (915 cm x 480 cm). The flag was accompanied by a video capturing the creative process and a selection of international flag laws defining the “proper” use of the flags, and anecdotes of “mistreatments” of those flags.

Taking a first look at the 204 flags in the suburbs of Porto Alegre


At the seamstress association Facção São Jorge in Porto Alegre where we took apart the national flags and reassembled them


Arranging the symbols for the final design


Flag laws defining the proper use of the flags, and anecdotes of mistreatments

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